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A Guide to Pitch Correction

Posted by James Cullen on

It’s a controversial topic in the pop music world. Some people love it, some people hate it. But whether you’re Kanye West or T-Pain, Bon Iver or Cher, you’ve heard of (and used) Autotune and pitch correction. Despite its controversy, pitch correction is arguably one of the most changed and versatile aspects of modern music production, and though it has many uses within vocal production, the average listener probably thinks of T-Pain or Cher when they hear ‘autotune’ instead of the many other and more subtle uses it has. Well...do you believe in life after love? What many lamens (and...

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Ambience & Reverb: Part 2

Posted by James Cullen on

If you’ve checked out the first part of this guide on reverb and ambience, chances are you’ll be so clued up on the ins and outs of reverb that you might want to take a break! If you haven’t read it, head over there to check it out and familiarise yourself with the concepts and theories behind reverb. In this second part of our guide, we are going to explore how you can apply reverb in different contexts in order to create the desired ambience in your music. There are many different types of reverb, from physical reverb units, to...

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Ambience & Reverb: Part 1

Posted by James Cullen on

Ambience & Reverb is a crucial part of making music. When you’re creating music to a certain level of quality, you need to be aware of everything going on from the top down. Crafting melodies and beats is one thing, but you also need to be aware of the sonic space that these elements occupy. That is the basis of reverb and ambience, and what we will be covering in this guide. Learning how to incorporate this most vital element of sound into your musical creation process is one of the key aspects that will enhance your skills and make...

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Dynamics & Compression Part 2: Dynamic Processing

Posted by James Cullen on

This is Part 2 of an article series on Dynamics & Compression, so make sure you read the first part so you have all the necessary info. You'll need this in order to understand what we're talking about in this article!  In the first part we covered Compression and Dynamics; what a Compressor is, how it works, what the controls are, and some examples of the effects a Compressor can have when set differently each time. We also covered Multiband Compression and discussed a few examples of how that can work. In this second part, we will look at a...

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Dynamics & Compression: An Overview

Posted by James Cullen on

There are many plug ins available to us as music producers, but none is so ubiquitous as the Compressor. It's used on pretty much everything (at least it can be!) and you'll find it across the entire genre spectrum of music production. A recording engineer in a huge elaborate hollywood studio will use a compressor, and so will a bedroom producer. It's an essential tool in the music producer's virtual (or hardware) toolbox, but it's also misunderstood and often misused. When used correctly, Compression can add depth and punch to your mix. It can drastically improve the clarity of both...

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